Studio Quad Multi FX processor V.2 SERVICED !

Geweldige jaren 90 sound dat geen enkele plugin kan bereiken!


- Voeding gerecapped met nieuwe kwaliteits Panasonic    elektrolytische condensatoren.

- Nieuwe 3V batterijhouder geïnstalleerd voor eenvoudige batterijvervanging. Nieuwe 3V geïnstalleerd.

- Top case zwart gespoten.

- Origineel is dit V.1 maar ik heb Eprom V.2 geïnstalleerd zodat je de volledige engine van V.2 binnen handbereik hebt.

- Geprinte Engelse handleiding.



Specs :


4 inputs, 4 outputs, 4 effect modules can be used at once in parallel or series with a totally customizable routing!
effects include:
Reverbs, Chorus and Flange, Phasers, Rotary Speaker Simluator, Tremolos, Auto Panners, Detuners and Pitch Shifters, Delays, EQs, Noise Gate and Compressors.


The basic look and feel of the machine haven't changed since the first edition: it retains the clear backlit LCD panel and the chunky illuminated push buttons to the right (described originally as resembling partially sucked Glacier Mints). On the far right‑hand side is a parameter wheel for editing the various effects settings.
The rear panel has four sets of electronic balanced inputs and outputs on quarter‑inch TRS jack sockets with switchable sensitivity (‑10dBV or +4dBu). The audio connections are supplemented by MIDI In and Out/Thru sockets together with another jack for a footswitch or remote control facility. Input and output levels are set via the Levels menu, but an automated mode is available where the machine samples the input signals for a few seconds and sets the gain accordingly.
The external power supply module connects via a 4‑pin DIN plug. (When will manufacturers realise that we all hate external power units, even if it does make it easier for their equipment to pass the EMC regulations!) The left‑hand side of the case, and the heatsink to the rear, get quite warm in use, although not hot enough to cause a problem. The analogue converters are the same as the original machine's, with 18‑bit, 128‑times oversampled delta‑sigma A/Ds and 20‑bit, 64‑times oversampled D/A stages. The sampling rate is 44.1kHz, but there are no provisions for digital interfacing.
As multi‑effects units go, the Quad is really well designed.