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I See That I See What You Don't See Uitgever: Het Nieuwe Instituut Taal: Engels
Het Nieuwe Instituut presents I See That I See What You Don’t See, the official Dutch contribution to the XXII Triennale di Milano. On show in Rotterdam from 5 October 2019 (official opening 12 October at 18:00).
The Netherlands is one of the most illuminated countries on the globe. Its productive landscape - dependent on data, technology and energy - illustrates a 24 hour economy that emphasises efficiency and growth. At the same time, this Cartesian territory reflects the changing relationship with the natural rhythms connected to, and affected by the cycles of light and darkness. In a world that is always switched on, the traditional dichotomy between day and night no longer seems relevant in terms of productivity, while the experience of clear, starry skies has become a rarity. The Dutch contribution to the XXII Triennale di Milano comprises a programme of events in both Milan and Rotterdam, and a publication. It takes the complex relationships between light and dark, between seeing and not seeing, as a starting point for an exploration of their conflicting effects on humans, the Earth and other organisms.
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- Engels
- Paperback
- 300 pagina's
Het Nieuwe Instituut presents I See That I See What You Don’t See, the official Dutch contribution to the XXII Triennale di Milano. On show in Rotterdam from 5 October 2019 (official opening 12 October at 18:00).
The Netherlands is one of the most illuminated countries on the globe. Its productive landscape - dependent on data, technology and energy - illustrates a 24 hour economy that emphasises efficiency and growth. At the same time, this Cartesian territory reflects the changing relationship with the natural rhythms connected to, and affected by the cycles of light and darkness. In a world that is always switched on, the traditional dichotomy between day and night no longer seems relevant in terms of productivity, while the experience of clear, starry skies has become a rarity. The Dutch contribution to the XXII Triennale di Milano comprises a programme of events in both Milan and Rotterdam, and a publication. It takes the complex relationships between light and dark, between seeing and not seeing, as a starting point for an exploration of their conflicting effects on humans, the Earth and other organisms.
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