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Philip Jones Griffiths - Dunkle Odyssee
80sinds 1 aug. '25, 03:40
€ 25,00
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OnderwerpFotografen
Beschrijving
Philip Jones Griffiths - Dunkle Odyssee
Uitgeverij: Zweitausendeins, 1996
Hardcover, 192 pagina's, Duits
Afmetingen: 33.7x25cm
Staat: Gelezen, zeer goed
Philip Jones Griffiths, one of this century's master photographers, is unparalleled at creating relentlessly perceptive images that encompass the beauty, the atrocities, the ceremonies, the moments of brutality and compassion that coalesce as history. Griffith's eagerly anticipated retrospective Dark Odyssey traces his forty-year journey through this chaotic world, from the wide horizon of his native Wales to the ravaged villages of war-torn Vietnam, in more than one hundred astounding black-and-white photographs.
In each of his pictures, Griffiths creates a complex diagram of meaning and emotion. The collision of culture and ideology is often the basis of the work--sometimes in a simple pairing of figures, sometimes in a dizzying throng of life: the arresting, straightforward gazes of a Vietnamese child and her war-disfigured mother; the dazed face of a woman lost among the multitude of graves at a cemetery in Hiroshima; the wicked glee of a boy about to hurl a boulder into a grand piano, outside under an ominously dark sky.
Uitgeverij: Zweitausendeins, 1996
Hardcover, 192 pagina's, Duits
Afmetingen: 33.7x25cm
Staat: Gelezen, zeer goed
Philip Jones Griffiths, one of this century's master photographers, is unparalleled at creating relentlessly perceptive images that encompass the beauty, the atrocities, the ceremonies, the moments of brutality and compassion that coalesce as history. Griffith's eagerly anticipated retrospective Dark Odyssey traces his forty-year journey through this chaotic world, from the wide horizon of his native Wales to the ravaged villages of war-torn Vietnam, in more than one hundred astounding black-and-white photographs.
In each of his pictures, Griffiths creates a complex diagram of meaning and emotion. The collision of culture and ideology is often the basis of the work--sometimes in a simple pairing of figures, sometimes in a dizzying throng of life: the arresting, straightforward gazes of a Vietnamese child and her war-disfigured mother; the dazed face of a woman lost among the multitude of graves at a cemetery in Hiroshima; the wicked glee of a boy about to hurl a boulder into a grand piano, outside under an ominously dark sky.
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