Emotionele gezondheid 9789021587004 T. Goleman-Bennett€ 15,90
Lamour fou 9780896595767 Rosalind E. Krauss
€ 72,00
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151sinds 19 feb. '25, 07:55
Kenmerken
AuteurRosalind E. Krauss
ConditieGelezen
Productnummer (ISBN)9780896595767
Jaar (oorspr.)2002
Beschrijving
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Titel: L'amour fou
Auteur: Rosalind E. Krauss
ISBN: 9780896595767
Conditie: Beetje gebruikt
Much has been written about Surrealist painting and sculpture, but most of the erotic, disorienting and exquisite Surrealist photographs of Man Ray, Marcel Duchamp, Max Ernst, Andre Breton, Brassai, Salvador Dali, Andre Kertesz and Hans Bellmer have remained all but unknown - until now. Traditional criticism has viewed Surrealist photography as a pale imitiation of authentic Surrealist work. The assumption has been that photography, a realistic medium, is fundamentally incomptatible with a cause devoted to the wildly subjective, the world of dreams and the unconscious. As a consequence, Surrealist photography, a major body of 20-century art, has remained largely unexplored. This text studies the crucial role photography played in the Surrealist movement. It shows how photographers enlisted into the service of subjective Surrealism their medium's very claim to objective reality. Of greatest interest, of course, is the book's abundant reproductions of the fantastic and distorted photographic creations that must be ackowledged as an important part of the Surrealist oeuvre.
Titel: L'amour fou
Auteur: Rosalind E. Krauss
ISBN: 9780896595767
Conditie: Beetje gebruikt
Much has been written about Surrealist painting and sculpture, but most of the erotic, disorienting and exquisite Surrealist photographs of Man Ray, Marcel Duchamp, Max Ernst, Andre Breton, Brassai, Salvador Dali, Andre Kertesz and Hans Bellmer have remained all but unknown - until now. Traditional criticism has viewed Surrealist photography as a pale imitiation of authentic Surrealist work. The assumption has been that photography, a realistic medium, is fundamentally incomptatible with a cause devoted to the wildly subjective, the world of dreams and the unconscious. As a consequence, Surrealist photography, a major body of 20-century art, has remained largely unexplored. This text studies the crucial role photography played in the Surrealist movement. It shows how photographers enlisted into the service of subjective Surrealism their medium's very claim to objective reality. Of greatest interest, of course, is the book's abundant reproductions of the fantastic and distorted photographic creations that must be ackowledged as an important part of the Surrealist oeuvre.
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