Scherpste prijs
Kenmerken
Auteur
Jonathan M. Woodham
Conditie
Gelezen
Productnummer (ISBN)
9780192842046
Jaar (oorspr.)
1997
Beschrijving
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Bestel direct op onze website!
Titel: Twentieth Century Design
Auteur: Jonathan M. Woodham
ISBN: 9780192842046
Conditie: Beetje gebruikt
The most famous designs of the twentieth century are not those in museums, but in the marketplace. the Coca-Cola bottle and the McDonalds logo are known all over the world, and designs like the modernistic Frankfurt Kitchen of 1926, or the 1954 streamlined and tail-finned Oldsmobile, or Blow, the inflatable chair ubiquitous in the late sixties, tell us more about our culture than a narrowly-defined canon of classics. Drawing on the most up-to-date scholarship (not only in design history but also in social anthropology and womens history), Jonathan Woodham takes a fresh look at the wider issues of design and industrial culture throughout Europe, Scandinavia, North America, and the Far East. He explores themes such as national identity, the Americanisation of ideology and business methods, the rise of the multi-nationals, Pop and Postmodernism, and contemporary ideas of nostalgia and heritage, and sets the proliferation of everyday design against the writing of critics as different as Nikolaus Pevsner, the champion of Modernism, and Vance Packard, author of the Hidden Persuaders. In the history which emerges design is clearly seen for what it is: the powerful and complex expression of aesthetic, social, economic, political, and technological forces.
Bestel direct op onze website!
Titel: Twentieth Century Design
Auteur: Jonathan M. Woodham
ISBN: 9780192842046
Conditie: Beetje gebruikt
The most famous designs of the twentieth century are not those in museums, but in the marketplace. the Coca-Cola bottle and the McDonalds logo are known all over the world, and designs like the modernistic Frankfurt Kitchen of 1926, or the 1954 streamlined and tail-finned Oldsmobile, or Blow, the inflatable chair ubiquitous in the late sixties, tell us more about our culture than a narrowly-defined canon of classics. Drawing on the most up-to-date scholarship (not only in design history but also in social anthropology and womens history), Jonathan Woodham takes a fresh look at the wider issues of design and industrial culture throughout Europe, Scandinavia, North America, and the Far East. He explores themes such as national identity, the Americanisation of ideology and business methods, the rise of the multi-nationals, Pop and Postmodernism, and contemporary ideas of nostalgia and heritage, and sets the proliferation of everyday design against the writing of critics as different as Nikolaus Pevsner, the champion of Modernism, and Vance Packard, author of the Hidden Persuaders. In the history which emerges design is clearly seen for what it is: the powerful and complex expression of aesthetic, social, economic, political, and technological forces.
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