Scherpste prijs
Kenmerken
Auteur
David Joselit
Conditie
Gelezen
Productnummer (ISBN)
9780500203682
Jaar (oorspr.)
2003
Beschrijving
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Titel: American Art Since 1945
Auteur: David Joselit
ISBN: 9780500203682
Conditie: Beetje gebruikt
No other introductory book presents the diversity and complexity of postwar American art from Abstract Expressionism to the present as clearly and succinctly as this groundbreaking survey. David Joselit traces and analyses the often contradictory formal, ideological and political conditions during this period which made American art predominant throughout the world. Social and cultural transformations rooted in mass-media technologies - photography, television, video and the Internet - elevated consumer commodities to the status of legitimate art subjects, as in Pop and Installation art, and brought about a mechanization of the creative act. Artists also increasingly engaged with issues of gender, race, identity and power. Canonical movements and figures are discussed - Pollock, Rothko, Krasner, Oldenburg, Johns, Warhol, Paik, Ruscha, Sherman, Holzer, Koons and Barney - in juxtaposition with lesser known contemporary artists and practices.
Bestel direct op onze website!
Titel: American Art Since 1945
Auteur: David Joselit
ISBN: 9780500203682
Conditie: Beetje gebruikt
No other introductory book presents the diversity and complexity of postwar American art from Abstract Expressionism to the present as clearly and succinctly as this groundbreaking survey. David Joselit traces and analyses the often contradictory formal, ideological and political conditions during this period which made American art predominant throughout the world. Social and cultural transformations rooted in mass-media technologies - photography, television, video and the Internet - elevated consumer commodities to the status of legitimate art subjects, as in Pop and Installation art, and brought about a mechanization of the creative act. Artists also increasingly engaged with issues of gender, race, identity and power. Canonical movements and figures are discussed - Pollock, Rothko, Krasner, Oldenburg, Johns, Warhol, Paik, Ruscha, Sherman, Holzer, Koons and Barney - in juxtaposition with lesser known contemporary artists and practices.
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