CD Louis Armstrong & Duke Ellington - the Essential / NIEUW

CD en boekje zijn origineel en in NIEUW staat.
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CD kan ook worden opgehaald in Amsterdam (Bos en Lommerplein).

EMI 2000

TRACKS OP DEZE CD
1. Duke's Place
2. I'm Just A Lucky So And So
3. Cotton Tail
4. Mood Indigo
5. Do Nothin' Till You Hear From Me
6. The Beautiful American
7. Black And Tan Fantasy
8. Drop Me Off At Harlem
9. The Mooche
10. In A Mellow Tone
11. It Don't Mean A Thing (If It Ain't Got That Swing
12. Solitude
13. Don't Get Around Much Any More
14. I'm Beginning To See The Light
15. Just Squeeze Me (But Don't Tease Me)
16. I Got It Bad (And That Ain't Good)
17. Azalea


Louis Armstrong and Duke Ellington were (and are) two of the main stems of jazz. Any way you look at it, just about everything that's ever happened in this music leads directly -- or indirectly -- back to them. Both men were born on the cusp of the 19th and 20th centuries, and each became established as a leader during the middle '20s. Although their paths had crossed from time to time over the years, nobody in the entertainment industry had ever managed to get Armstrong and Ellington into a recording studio to make an album together. On April 3, 1961, producer Bob Thiele achieved what should be regarded as one of his greatest accomplishments; he organized and supervised a seven-and-a-half-hour session at RCA Victor's Studio One on East 24th Street in Manhattan, using a sextet combining Duke Ellington with Louis Armstrong & His All-Stars. This group included ex-Ellington clarinetist Barney Bigard, ex-Jimmie Lunceford swing-to-bop trombonist Trummy Young, bassist Mort Herbert, and drummer Danny Barcelona. A second session took place during the afternoon of the following day. The music resulting from Thiele's inspired experiment is outstanding and utterly essential. That means everybody ought to hear this album at least once, and many will want to hear it again and again all the way through, for this is one of the most intriguing confluences in all of recorded jazz. Armstrong blew his horn with authority and sang beautifully and robustly. "Azalea" is a harmonically pixilated melody with complicated, peculiarly rhymed lyrics composed by Duke many years earlier with Armstrong in mind. Other highlights include the bluesy "I'm Just a Lucky So and So," a smoking hot, scat-laden rendition of "Cotton Tail," and "The Beautiful American," a marvelously modern exercise composed on the spot by Ellington that leaves one with the curious impression that Armstrong has just finished sitting in with Charles Mingus.


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