Dire Straits / Brothers in Arms€ 1,50
lucy Kaplansky / The red thread
€ 1,50
Ophalen of Verzenden
120sinds 27 apr. '25, 22:07
Kenmerken
ConditieGebruikt
Periode1980 tot 2000
Beschrijving
Verzending vanaf een besteding van 5 euro. Minder dan 5 euro alleen afhalen.
It shouldn't be surprising that Lucy Kaplansky's music is infused with complex emotional detail when you consider that she worked as a clinical psychologist before deciding to pursue music full time. On the six songs she and Richard Litvin, her co-writer and husband, composed for The Red Thread, she never shies away from the conflicting feelings that accompany the profound moments in life. On the title track, for example, she sings movingly about the joy, wariness, and worry she felt when she and Litvin adopted a daughter from China. On "Land of the Living," which was inspired by the tragedy of 9/11, Kaplansky's sharp eye for detail creates a harrowing, but ultimately hopeful vision of that horrible day. Like many good songwriters, Kaplansky has an excellent ear for the right song to cover, and here she has chosen fine ones from Buddy Miller, Bill Morrissey, James McMurtry, and Dave Carter. The sonic territory on The Red Thread is subtle and subdued, with spare, mostly acoustic arrangements that perfectly frame the powerful emotions contained in Kaplansky's songs. --Michael John Simmons
It shouldn't be surprising that Lucy Kaplansky's music is infused with complex emotional detail when you consider that she worked as a clinical psychologist before deciding to pursue music full time. On the six songs she and Richard Litvin, her co-writer and husband, composed for The Red Thread, she never shies away from the conflicting feelings that accompany the profound moments in life. On the title track, for example, she sings movingly about the joy, wariness, and worry she felt when she and Litvin adopted a daughter from China. On "Land of the Living," which was inspired by the tragedy of 9/11, Kaplansky's sharp eye for detail creates a harrowing, but ultimately hopeful vision of that horrible day. Like many good songwriters, Kaplansky has an excellent ear for the right song to cover, and here she has chosen fine ones from Buddy Miller, Bill Morrissey, James McMurtry, and Dave Carter. The sonic territory on The Red Thread is subtle and subdued, with spare, mostly acoustic arrangements that perfectly frame the powerful emotions contained in Kaplansky's songs. --Michael John Simmons
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