ATV drumstel EXS-5 (25250844)

Dit is een hele jonge en bijna ongebruikte set van ATV. Hij staat speelklaar in onze winkel in Wehl. We hebben bij de set nog alle originele verpakking zitten.

Info van de website van ATV;

EXS-5The EXS-5 set configuration features drum and cymbal pads with playing surfaces similar in size to those of a modern acoustic drum set. The combination of two rack toms, one floor tom, plus a ride cymbal and two crashes, work together to create a comfortable and natural playing experience.
Set Includes:
Sound Module xD3
SilverKick Drum 13"
Snare Drum 13"
Tom 10" x2
Floor Tom 13"
Hi-Hat 14"
Crash Cymbal 14" x2
Ride Cymbal 16"

A kick that supports the grooveThe ideal kick drum combines sensitivity to ensure fast, precise triggering, with stability that gives a natural feeling of feedback. Our 13" and 10" mesh head kick pad designs achieve a great balance of damping and sensitivity.

This ensures a rock-solid, fast-triggering kick that will anchor your groove. If you were using a double pedal, the stability and sensitivity of the kick drum will allow you to flawlessly play fast patterns. With the EXS series kick drum, you'll never miss a beat!

Newly developed sensors & two-layer drum headsOur drums utilize a durable and sensitive two-layer mesh head. No matter the playing style, the wide dynamic range of your EXS series drums will fill you with confidence.

The EXS series is capable of capturing the full dynamic range of your performance from ghost notes to powerful rim shots, accurately translating your playing into an expressive natural sounding performance. This consistency is possible because of a new, patented, multi-sensor design for the snare drum and toms that completely eliminates the problem of hotspots.

Detect subtle pedal workWhen playing the balance between an open and closed hi-hat sound is subtly controlled by the foot.

Conventional electronic hi-hat designs typically use contact-type sensors to detect foot pedal motion, but these mechanical designs are limited in their precision and tracking capability. Solving this problem, the EXS series hi-hat utilizes a completely optical sensor to provide high-precision sensing that won't lag even when the hi-hat is opened and closed rapidly.

More freedom of motion for cymbalsThe cymbals can be played and choked anywhere around their full circumference, eliminating the need for rotation stoppers that inhibit natural cymbal motion.

Simply place the cymbal on the stand and see how the newly designed pivot allows it to swing naturally in all directions. The innovative design replicates other natural details as well, such as how the whole cymbal flexes and wobbles when its thin tapered edge is struck. The silicone playing surface not only feels great, but also provides excellent silencing characteristics. All these design details work together to create a playing experience similar to that of an acoustic cymbal.

Designing Realistic Drum SoundThe xD3 sound module enables drummers of all levels to fully express their dynamics and groove.

All performers desire the means to support their freedom of expression when playing an incredible sounding instrument - so they can fully experience the dynamic range of a kick drum, the subtle timbres of a snare, and the natural colored resonances of each cymbal.

When capturing instrument sounds in the studio, we focused on every detail; mic placement, the position of the drummer's ear, ambient sound that includes room reflections, and imaging - including the positioning of hi-hats on the left and the floor tom on the right of the stereo field; each aspect translates to a sonic detail that combines to support the drummer's realistic sound experience.

Triggering response that elicits the drummer's sense of grooveThe most important criterion of great playability is hearing the sound at the instant you strike. For drummers, who unconsciously control their timing in milliseconds, any lag in triggering will impair the groove. Also, identical instruments played by different drummers produce contrasting musical expressions. This is because of subtle differences in 'groove' (rhythmic feel). So for the xD3, we developed a new process that implements high-speed trigger analysis and low-latency sound production, thereby ensuring an unrivalled performance response and feel sensitivity. By means of proprietary technology, uncompressed audio data containing an enormous amount of sonic information sounds at nearly the same instant as the strike, producing a clear expression of a drummer's individual groove and touch.

Realizing the true dynamic range of drumsUntil now, players have had to accept that the dynamic range of electronic drums will frequently 'top out'. While this has allowed almost anyone to play electronic drums and produce a stable sounding performance, it has also exposed the electronic character of the drum set and held players back from achieving the natural, richly varied sounds we associate with acoustic drums.

So for the xD3, we developed a new sound engine specifically for drums in order to technically realize a full expression of the complete dynamic range, from delicate pianississimo (ppp) to intense fortississimo (fff). Audio material recorded in the range of ppp through fff is therefore accurately sounded according to the drummer's striking strength. Even when a roll is played, this sound engine reproduces a naturally-connected roll rather than a mere mechanical succession of sounds.

Cymbal soundsThe xD3's cymbal sounds fully reproduce the natural signatures of resonance and reverberation patterns captured in hi-definition studio recordings of acoustic cymbals. Our approach fundamentally contrasts the conventional use of data-saving DSP processes used in other modules, which add artificial reverberation and utilize synthesis techniques to sequence, loop and attenuate parts of the envelope of a dry recorded sound. Just listen carefully to a cymbal sound generated by the xD3 and you will experience in vivid, natural detail the real reverberation and decay patterns that only acoustic cymbals can produce. This is possible because we record the full decay time (attenuation) of a cymbal's sound in stereo without applying any compression. The xD3 accurately outputs the natural envelope of the cymbal sound as it was played and recorded. Try it and you'll discover how the natural decay and spatial reverberation of our cymbals give you that depth of tone to support subtle playing on slower songs with longer rests and time spaces.