Gibson L6-s uit 1976.

Alle onderdelen zijn origineel. Is herfret is het verleden. Speelt voortreffelijk door zeer lage actie.
Echt topkwaliteit van Gibson. Beetje relic op de hals etc., maar daar merk je helemaal niets van als je er op speelt. Slijtage is alleen in de lak, niet in het hout. Dus met nieuwe lak zie je er niets meer van.

Alleen biedingen boven de 1000 euro worden serieus genomen. Lagere biedingen worden helaas niet beantwoord.

Model history

The L6-S was the first cooperation between Bill Lawrence and Gibson. It was designed in 1972 and first released in 1973.[1] The idea was to make a "multi-sound system" under a very tight budget.
The popularity of the L6-S gradually dropped after 1974, despite high-profile endorsements from the likes of Al Di Meola and Carlos Santana. Pat Martino, John McLaughlin, Keith Richards, Tom Johnston, Paul Stanley, Mike Oldfield, Dave Davies, Brad Delp, Rich Williams, Bob Mothersbaugh, Bob Casale, Martha Davis of The Motels, Allison Robertson, Angus Young and Prince also used the model during this period. All models were dropped from price lists in 1979. The L6-S Custom remained in the catalog in 1980 and was still being made in the Nashville plant.L6-S Custom 1973–1980

Over 12,000 L6-S Custom instruments were made. Each guitar is made out of a one-piece maple body and a three-piece set neck, with a choice of rosewood, maple or ebony fingerboard. Finishes; Natural Maple, Ebony, Silver Burst, Tobacco Sunburst & Cherry Sunburst. Controls include a six-position pickup selector, master volume, mid-range and treble roll-off controls. At the time of its introduction, the L6-S Custom was simply called the L6-S, not gaining the "Custom" badge until later, when the simpler L6-S Deluxe was introduced. The L6-S and L6-S Custom are identical.
Pickup selector of a L6-S Custom.
The L6-S Custom has a six-way rotary selector switch, complete with "chicken head" pointer knob. Starting with switch position #1, in the most counter-clockwise position, the available pickup switching options are as follows:
Both pickups, in seriesNeck pickup, aloneBoth pickups, in parallelBoth pickups, parallel out of phase, with the neck pickup's bass response restricted through a series capacitor.Bridge pickup, aloneBoth pickups, series out of phase.The capacitor in the #4 position gives a fuller tone than the otherwise very nasal out-of-phase tone. The capacitor serves to limit the low end response of the neck pickup, and also phase delays the signal from that pickup, resulting in a fuller tone, not too unlike the #2 and #4 switch positions on a Fender Stratocaster guitar.