CD Zapp 4 String Quartet - Dextro (Jasper le Clerq )€ 4,00
CD Original Mambo Kings (Afro Cubop Anthology) VERVE latin
€ 4,00
Ophalen of Verzenden
Verzenden voor € 3,80
321sinds 26 mar. '25, 16:10
Beschrijving
Cd en boekje zijn origineel en in goede / uitstekende staat. Verzendkosten voor rekening van de koper. Cd kan ook worden opgehaald in amsterdam (bos en lommerplein).
Compilatie met machito & his orchestra, charlie parker howard mcghee, andre's all stars en dizzy gillespie & orchestra
Tracks op deze cd
machito and his orchestra featuring mario bauza - gone city - 2:55 machito and his orchestra featuring mario bauza - asia minor - 3:09 machito and his orchestra featuring flip phillips - tanga - 5:06 machito and his orchestra featuring flip phillips - bucabu - 2:58 machito and his orchestra featuring flip phillips - flying home - 3:02 machito and his orchestra featuring flip phillips - caravan - 3:17 machito and his orchestra featuring charlie parker - okiedoke - 3:02 machito and his orchestra featuring charlie parker - mango mangue - 2:54 machito and his orchestra featuring harry "sweets" edison, charlie parker and flip phillips - the afro-cuban jazz suite - (17:17) – - i. Cancion - – - ii. Mambo - parts 1 & 2 - – - iii. 6/8 - Parts 1 & 2 - – - iv. Jazz - – - v. Rhumba abierta - parts 1 & 2 - –howard mcghee and his afro-cuboppers - cubop city - parts 1 & 2 - 5:19 –machito and his orchestra featuring mario bauza - u-bla-ba-du - 3:17 –andre's all stars - con poco coco - 6:51 –dizzy gillespie and his orchestra - the manteca suite - (16:27) – - i. Manteca theme - – - ii. Contraste - – - iii. Jungle - – - iv. Rhumba finale - parts 1 & 2 ---
before hollywood and tin pan alley songwriters picked up on cuban and puerto rican styles in the pursuit of disposable novelty hits, these styles were being honestly fused with the emerging modern jazz of bebop and cool. Of course, this took place in new york city, as machito and other emigres were welcomed by dizzy gillespie and charlie parker, and by dancers who no doubt wanted something hotter than intellectual bebop. The result is in these raw recordings, which are compositionally astute, blending ellingtonian orchestrations with bop heads and the clave, while retaining and even magnifying the rhythmic intensity. Such a virile fusion of latin and new york styles would not be heard again until the nu yorican movement of the 1970s.
Compilatie met machito & his orchestra, charlie parker howard mcghee, andre's all stars en dizzy gillespie & orchestra
Tracks op deze cd
machito and his orchestra featuring mario bauza - gone city - 2:55 machito and his orchestra featuring mario bauza - asia minor - 3:09 machito and his orchestra featuring flip phillips - tanga - 5:06 machito and his orchestra featuring flip phillips - bucabu - 2:58 machito and his orchestra featuring flip phillips - flying home - 3:02 machito and his orchestra featuring flip phillips - caravan - 3:17 machito and his orchestra featuring charlie parker - okiedoke - 3:02 machito and his orchestra featuring charlie parker - mango mangue - 2:54 machito and his orchestra featuring harry "sweets" edison, charlie parker and flip phillips - the afro-cuban jazz suite - (17:17) – - i. Cancion - – - ii. Mambo - parts 1 & 2 - – - iii. 6/8 - Parts 1 & 2 - – - iv. Jazz - – - v. Rhumba abierta - parts 1 & 2 - –howard mcghee and his afro-cuboppers - cubop city - parts 1 & 2 - 5:19 –machito and his orchestra featuring mario bauza - u-bla-ba-du - 3:17 –andre's all stars - con poco coco - 6:51 –dizzy gillespie and his orchestra - the manteca suite - (16:27) – - i. Manteca theme - – - ii. Contraste - – - iii. Jungle - – - iv. Rhumba finale - parts 1 & 2 ---
before hollywood and tin pan alley songwriters picked up on cuban and puerto rican styles in the pursuit of disposable novelty hits, these styles were being honestly fused with the emerging modern jazz of bebop and cool. Of course, this took place in new york city, as machito and other emigres were welcomed by dizzy gillespie and charlie parker, and by dancers who no doubt wanted something hotter than intellectual bebop. The result is in these raw recordings, which are compositionally astute, blending ellingtonian orchestrations with bop heads and the clave, while retaining and even magnifying the rhythmic intensity. Such a virile fusion of latin and new york styles would not be heard again until the nu yorican movement of the 1970s.
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