Golden Age R1 active ribbon microfoon

Golden Age R1 active ribbon microfoon
Classic ribbon warmth
The Golden Age R1 MKIII is a versatile ribbon microphone, combining the classic warmth of a ribbon element, with the added reliability of a F.E.T. buffer amplifier. The wide frequency range and premium-grade ribbon element is designed to capture every nuance of your source audio in extreme detail. The focus on sonic accuracy is further accentuated by the buttery-like tone that the ribbon microphone provides, resulting in a warm and full-bodied sound. The active circuitry means you can use the R1 MK3 with a wide range of microphone preamps, as well as using longer cable runs while maintaining optimal audio fidelity.
Versatile recording applications
The stunning realism the R1 Mk3 provides results in exceptional audio quality, ideal for studio recordings. Its high SPL capability of 150dB, is one of the highest sensitivity’s available for ribbon microphones, ensuring you can use it with a wide range of audio sources. The integrated bipolar/FET discrete low-noise amplifier features a low impedance transformerless output stage, isolating the ribbon and gain make-up transformer from outside disruption.
The R1 MKIII boasts a figure-8 directional pattern for wider sweet spots and side rejection. Its premium-grade components make the microphone highly suited to recording drum overheads, strings, choirs, acoustic instruments and more. As well as being great for the studio, the microphone is also ideal for live applications such as performances.
Get the sound right at source
One of the most unique features of this active ribbon mic is the integrated 10dB Pad and Low-Cut Filter. These two switchable parameters add to the flexibility of the microphone, allowing you to cater to different audio sources and recording environments.
The Low-Cut filter is ideal for recording vocals, removing the low-end from your microphone for a cleaner and more defined high-end, with minimal need for external processing. The 10dB Pad is also great for recording higher-level audio sources such as drums and louder instruments, ensuring the microphone doesn’t overload the circuit.