Meyer-optik görlitz orestegor 300mm 1:4 aka pentacon 300 met m42 vatting praktika of p-draad tevens kan de de conische cilinder aan de achterzijde eraf om te schroeven op een medium size camera zoals de pentacon.
19 Diafragma bladen voor een zeer mooi rond beeld!

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Hij schijnt uitermate geschikt te zijn om voor full frame camera's te gebruiken.
Een zware prime lens van dit kwaliteits merk

ik heb er fotoos mee gemaakt met een digitale nikon d3200 met wat verschillende diafragma openingen iso 400 op een vrij donkere dag.
De nikon is hierbij uitgerust met een adapterring van nikon naar m42. Fotoos staan hierbij de advertentie.
Opgemerkt moet worden dat er 2 kleine fungus plekjes op de lens waarneembaar zijn. Zie je niet terug in de fotoos. Tevens is er een vlekje witte verf vermoedelijk op gevallen op de body van de lens. Dat is niet van belang verder en kan er ook wel af denk ik maar wordt genoemd.

Stukje tekst van internet over deze lens: the meyer-optik görlitz 300 4 orestegor (also branded as pentacon 300) is a 300mm prime tele lens initially manufactured by the meyer-optik görlitz company in east germany. The orestegor was introduced in 1967 as a succesor to the meyer-optik telemegor 4.5 / 300. The orestegor was later re-branded as pentacon 300 f4, after the meyer-optik görlitz brand was discontinued. The orestegor 300 was manufactured both in m42 screwmount, praktina and exa/exakta bajonett mount for 35mm slrs and in pentacon six mount for medium format cameras. This is also the reason this lens is so large. As with many other meyer lenses, you can unscrew the mount and add an adapter so that you can shoot on a different format camera. This interchangeability from a medium format camera to a 35mm format meant that the lens has to be able to illuminate the square medium format. Hence the orestegor has the size of a medium format lens and not a classic 35mm lens. The production stopped in 1990, when the pentacon brand (who continued building meyer-optik lenses under their name) was dissolved after the fall of the berlin wall. The production shortly restarted in 1991 when the meyer-optik brand reemerged. Unfortunately only a few hundred lenses were manufactured before meyer-optik went bankrupt a few months later. Pros: ; sharp ; bokeh ; built quality ; ergonomics; no vignetting yes it is heavy, huge and cumbersome.
But the meyer-optik görlitz 300 4 orestegor is one fine lens! Images are very sharp even when the lens aperture is wide open. Remember this lens can be used on a medium format camera, so when used on a full frame camera you will not have the lack of sharpness in the corners. What you will basically obtain on a 35mm format is the center goodness. The images turn out sharp from corner to corner. Some people argue it is even better than the sonnar 300 f4 from carl zeiss. Also there is no vignetting. While most (vintage) lenses will have a sharp center of the image and vignetting in the corners, the meyer-optik görlitz 300 4 orestegor is simply constantly good, from corner to corner. So if you use a full frame sensor and want this type of look, that is a huge advantage. All in all this is a very good lens that many people, especially those who like tele lenses will enjoy. It is not a surprise that the orestegor 300, along with its bigger brother the orestegor 5.6/500, Are regarded as the best lenses that meyer-optik produced for the pentacon six system. The image quality is really very good. Nice contrast, good colors, and a very reasonable overall sharpness. Thats already pretty amazing in itself but there is more to it. The meyer-optik görlitz 300 4 orestegor has 19 secret weapons: the aperture blades. Thats right, 19 blades for a very circular, unique aperture. That means you get a pretty awesome bokeh, creamy, subtle yet present. Pictures are therefore sharp but thanks to the bokeh also obtain a lot of character. Etc etc. Veel meer te vinden hierover op internet.

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